western literature week3

	Achilles In Greek mythology, Achilleswas a Greek hero of the Trojan War and the central character and greatest warrior of Homer's Iliad. His mother was the immortal nymph Thetis, and his father, the mortal Peleus, was the king of the Myrmidons. Achilles’ most notable feat during the Trojan War was the slaying of the Trojan hero Hector outside the gates of Troy. Although the death of Achilles is not presented in the Iliad, other sources concur that he was killed near the end of the Trojan War by Paris, who shot him in the heel with an arrow. Later legends (beginning with a poem by Statius in the 1st century AD) state that Achilles was invulnerable in all of his body except for his heel. Alluding to these legends, the term "Achilles heel" has come to mean a point of weakness, especially in someone or something with a strong constitution.
	Agamemnon In Greek mythology, Agamemnon was the son of King Atreus and Queen Aerope of Mycenae, the brother of Menelaus, the husband of Clytemnestra and the father of Iphigenia, Electra or Laodike, Orestes and Chrysothemis. Mythical legends make him the king of Mycenae or Argos, thought to be different names for the same area. When Helen, the wife of Menelaus, was taken to Troy by Paris, Agamemnon commanded the united Greek armed forces in the ensuing Trojan War.
	Hades Hades was the ancient Greek chthonic god of the underworld, which eventually took his name. In Greek mythology, Hades was regarded as the oldest son of Cronus and Rhea, although the last son regurgitated by his father. He and his brothers Zeus and Poseidon defeated their father's generation of gods, the Titans, and claimed rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, with the solid earth—long the province of Gaia—available to all three concurrently. Hades was often portrayed with his three-headed guard dog Cerberus
	Apollo Apollo is one of the most important and complex of the Olympian deities in classical Greek and Roman religion and Greek and Roman mythology. The ideal of the kouros (a beardless, athletic youth), Apollo has been variously recognized as a god of music, truth and prophecy, healing, the sun and light, plague, poetry, and more. Apollo is the son of Zeus and Leto, and has a twin sister, the chaste huntress Artemis. Apollo is known in Greek-influenced Etruscan mythology as Apulu.
	Zeus Zeus was the sky and thunder god in ancient Greek religion, who ruled as king of the gods of Mount Olympus. His name is cognate with the first element of his Roman equivalent Jupiter. His mythologies and powers are similar, though not identical to those of the Indo-European deities such as Indra, Jupiter, Perun, Thor, and Odin.
	Briseis Brisēís was a mythical queen in Asia Minor at the time of the Trojan War. Her character lies at the heart of a dispute between Achilles and Agamemnon that drives the plot of Homer's Iliad.

Dramatic structure

- exposition

The exposition is the portion of a story that introduces important background information to the audience. Exposition can be conveyed through dialogues, flashbacks, character's thoughts, background details, in-universe media, or the narrator telling a back-story.

- complication

In the complication, a series of events build toward the point of greatest interest. The rising action of a story is the series of events that begin immediately after the exposition (introduction) of the story and builds up to the climax. These events are generally the most important parts of the story since the entire plot depends on them to set up the climax and ultimately the satisfactory resolution of the story itself.

- climax

The climax is the turning point, which changes the protagonist’s fate.

- falling action

During the falling action, the conflict between the protagonist and the antagonist unravels, with the protagonist winning or losing against the antagonist. The falling action may contain a moment of final suspense, in which the final outcome of the conflict is in doubt.

- resolution

The resolution comprises events from the end of the falling action to the actual ending scene of the drama or narrative. Conflicts are resolved, creating normality for the characters and a sense of catharsis, or release of tension and anxiety, for the reader.