The Oresteia is a trilogy
of Greek
tragedies written by Aeschylus concerning the murder of
Agamemnon by Clytaemnestra, the murder of Clytaemnestra by Orestes, the trial
of Orestes, and end of the curse on the House of
Atreus. This trilogy also shows how the Greek gods interacted with
the characters and influenced their decisions pertaining to events and
disputes.The only extant example of an ancient Greek
theater trilogy, the Oresteia
won first prize at the Dionysia festival in 458 BC. Many consider the Oresteia to be Aeschylus' finest
work. The principal themes of the trilogy include the contrast between
revenge and justice, as well as the transition from personal vendetta
to organized litigation.
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In Greek mythology, Agamemnon was the son of King Atreus and Queen Aerope of Mycenae, the brother of Menelaus,
the husband of Clytemnestra and the father of Iphigenia,
Electra
or Laodike, Orestes and Chrysothemis. Mythical legends make him the
king of Mycenae or Argos, thought to be different names for the same area. When
Helen,
the wife of Menelaus, was taken to Troy
by Paris, Agamemnon commanded the united Greek armed forces in
the ensuing Trojan War.
Upon
Agamemnon's return from Troy, he was murdered by Aegisthus,
the lover of his wife, Clytemnestra. In old versions of the story, the scene
of the murder, when it is specified, is usually the house of Aegisthus, who
has not taken up residence in Agamemnon's palace, and it involves an ambush
and the deaths of Agamemnon's followers as well. In some later versions
Clytemnestra herself does the killing, or they act together as accomplices,
killing Agamemnon in his own home.
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In Neo-Freudian psychology,
the Electra complex, as proposed by Carl
Gustav Jung, is a girl's psychosexual
competition with her mother for possession of her father. In the course of her
psychosexual development, the complex is the girl's phallic stage;
formation of a discrete sexual identity, a boy's analogous experience is the Oedipus
complex. The Electra complex occurs in the third—phallic
stage (ages 3–6)—of five psychosexual development stages: (i) the Oral,
(ii) the Anal, (iii) the Phallic,
(iv) the Latent, and (v) the Genital—in
which the source libido pleasure is in a different erogenous zone
of the infant’s body.
In classical
psychoanalytic theory, the child's identification with the
same-sex parent is the successful resolution of the Electra complex and of
the Oedipus complex; his and her key psychological experience to
developing a mature sexual role and identity. Sigmund Freud
instead proposed that girls and boys resolved their complexes differently—she via penis envy,
he via castration anxiety; and that unsuccessful resolutions might
lead to neurosis and homosexuality.
Hence, women and men who are fixated in the Electra and Oedipal stages of their psychosexual development might be considered
"father-fixated" and "mother-fixated" as revealed when
the mate (sexual partner) resembles the father or the mother.
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In psychoanalysis, the Oedipus complex (or, less commonly, Oedipal complex) is a child's desire,
that the mind keeps in the unconscious via
dynamic repression,
to have sexual relations with the parent of the opposite sex (i.e. males attracted to their
mothers, and females attracted to their fathers).
The Oedipus complex occurs in the third—phallic stage (ages 3–6)—of the
five psychosexual development stages: (i) the oral,
(ii) the anal, (iii) the phallic,
(iv) the latent, and (v) the genital—in
which the source of libidinal pleasure is in a different erogenous zone
of the infant's body. The Oedipal complex originally refers to the sexual
desire of a son for his mother and does not have to be reciprocated.
Sigmund Freud,
who coined the term "Oedipus complex", believed that the Oedipus
complex is a desire for the parent in both males and females; he deprecated
the term "Electra complex", which was introduced by Carl
Gustav Jung in regard to the Oedipus complex manifested in young
girls. Freud further proposed that boys and girls experience the complex
differently: boys in a form of castration anxiety, girls in a form of penis envy;
and that unsuccessful resolution of the complex might lead to neurosis,
pedophilia,
and homosexuality. A child's identification with the same-sex
parent is the successful resolution of the complex.
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Aeschylus was an ancient Greek tragedian. He is often described as the father of tragedy. Critics' and scholars' knowledge
of the genre begins with his work, and understanding of earlier tragedies is
largely based on inferences from his surviving plays.According to Aristotle,
he expanded the number of characters in theater allowing conflict among them;
characters previously had interacted only with the chorus.
Only seven
of his estimated seventy to ninety plays have survived, and there is a
longstanding debate regarding his authorship of one of these plays, Prometheus
Bound, which some believe his son Euphorion actually wrote. Fragments of some other plays have
survived in quotes and more continue to be discovered on Egyptian papyrus,
often giving us surprising insights into his work. He was probably the first
dramatist to present plays as a trilogy; his Oresteia
is the only ancient example of the form to have survived. At least one of his
plays was influenced by the Persians'
second invasion of Greece (480–479 BC). This work, The Persians, is the only surviving classical
Greek tragedy concerned with contemporary events,and a useful source of
information about its period. The significance of war in Ancient Greek
culture was so great that Aeschylus' epitaph commemorates his participation
in the Greek victory at Marathon while making no mention of his success as a
playwright. Despite this, Aeschylus' work – particularly the Oresteia
– is acclaimed by today's literary academics.
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Vocabulary and supplement
chorus
verb
noun
4
a company
of actors who
comment
(by
speaking
or
singing
in
unison)
on
the action
in
a classical
Greek play
you’ve
gone too far:你太超過了
dramatist v.s. playwright v.s.
tragedian
dramatist :someone who writes plays
playwright
: A writer and creator of
theatrical plays.
tragedian: 1.An actor who specializes in
tragic roles.
2.A playwright who writes tragedies.
flashback v.s. foreshadowing
flashback: a dramatic device in which an earlier event is inserted into the
normal chronological flow of a narrative
(psychology) a
vivid mental image of a past trauma, especially one that recurs
a similar recurrence
of the effects of a hallucinogenic drug
the condition of the flame
propagating down the hose of an oxy-fuel welding system
foreshadowing: A literary device in which
an author drops subtle hints about plot developments to come later in the
story.
denouement
noun
1.
the final resolution
of the intricacies of a plot, as of a drama or novel.
2.
the place in the
plot at which this occurs.
3.
the outcome or resolution of a
doubtful series of occurrences.



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